I’m using my Glimakra Emilia rigid heddle loom as a stand-in tapestry loom, and it works great. The loom is a super star when it comes to tension–that thick, sturdy wood and metal pawls and ratchets make it possible. If I learn how to warp it better, I can see using this for tapestry weaving quite often. As it is, I started out perfectly with a warp wound on a warping board, but transferring over became very difficult, so I ended up snipping the ends and tying it on. My plan had been to try for a non-fringe selvedge. Oh, well… that’s how it goes.
I had started another project using greens and browns on this warp, but when I discovered wedge weave, I unwove the other project and started this. I’m now sticking with all greens, probably inspired by the ongoing WAL in Ravelry’s tapestry group. The first two months were monochromatic, and I wove a tiny tapestry in blues, but I was never happy with it. So now… greens! These are mostly needlepoint wool found at an antique store:
The warp is a four-ply Churro, and it’s spaced at about 5 epi:
The string heddles I rigged up proved to be helpful only when weaving that footer. I don’t think anyone trying something similar needs to go to the trouble if using a widely-spaced warp like this one. The day wore on, and at 10 p.m. I found myself still weaving. Wedge weave is really fun–and fast as far as a weft-faced weaving goes. Now, I’m at a difficult spot in deciding what to do with the pattern. I’d like to make the center area stand out somehow, and the easiest answer is to use a different set of greens. The hardest answer is to inset some type of tapestry design, but I’m not certain how that will work out. Best idea is to try one, and if it works, stick with it.