This rug, woven out of recycled t-shirts, shrunk to 21″ off the loom, and I’m expecting it to shrink again after washing; however, I’m pleased with it so far. The kitty likes it, too. 🙂
I’m weaving a bath mat out of old t-shirts. What I’ve learned so far: one shirt weaves about 8 inches, packing with a wide-tooth comb works better than a narrow fork, and the heddle will fray the cotton warp (maybe because the cotton is too thick for the heddle) so I use it to raise and lower the threads only.
I spotted this video while looking at Saori weaving videos earlier. It's an infomercial for a rigid heddle-type of loom made by the Clover (Hana-Ami) Company from Japan. I've seen similar rigid heddle looms where the heddle rotates or rocks and looks like a block of wood. What strikes me the most is the efficiency in warping. The loom has a built-in warping board that keeps the warp in place and under tension. It's simply rolled onto the warp bar after the ends are snipped. I wonder if this type of thing could be adapted to other rigid heddle looms. The board/pegs would need to fit in the frame of the loom and also have enough pegs for a decent length of warp. It makes me think!
Someday I'll get tired of taking so-so pictures with my iPod and go back to my "real" camera. In the meantime, all I have to show of the latest experiment is this blurry picture of an attempt to weave a band using a rigid heddle (this was the 10 dent Beka) and the little antique Peacock loom. I had always wanted to refurbish the Peacock loom because it's so tiny and portable (12" width), but I failed to get up the energy to tie 100 string heddles. Instead, I ordered the smallest Texsolv heddles (5 7/8", I think) which were too long. So, I need to either shorten them somewhat, the length and the eyes are too big, or tie those 100 string heddles! Either way, that means this little loom is sitting empty… or is it? After reading up on Sami-style weaving, I warped the rigid heddle and tied it onto the Peacock loom, using only the warp and cloth bars. I removed the heddles (carefully!) and also the reed, which is held in very lightly by two small screws. I'm considering removing the top bar, too, because it's in my way and I happen to be enjoying weaving bands. But then I need to sit back and wonder if it's better to put the Peacock loom back together and pass it along to someone who will tie those 100 string heddles, or if it's better to keep it in pieces and use it as a cradle or box loom. Decisions, decisions…
I couldn't make heads or tails of the pattern until I realized the pattern strands (which are in the center and double the thickness of the other strands) are sometimes raised from beneath, and sometimes lowered from above. This may not make any sense, but once I figured it out, I knew how to do this style of weaving. There are some really wonderful band weaving heddles out there with fancy double holes and smaller slots, but if you want to try it, I suggest using a simple rigid heddle and a pattern. You don't even need the loom, as traditional weavers do this backstrap-style. If you'd like a place to start, I suggest you try The Braids and Bands Yahoo group. It's free but you do need to join. Try the Files section to find a series of PDF handouts by Susan Foulkes, who recently held an online course for Sami style band weaving.
Now that I've got the hang of it, I want to use a finer thread, more colors, and a more intricate pattern.
This may be the fastest item I’ve ever woven. It’s a scarf on the Glimakra Emilia using pink and white cotton. The warping and weaving took a total of two and a half hours! I’ll post the “finished” picture tomorrow.
I just started a narrow scarf for myself using Berroco Remix. The pattern is a favorite, the 3/1 lace pattern in the weft float section of Jane Patrick's book, The Weaver's Idea Book. Instead of using scrap yarn, I'm using a length of spool knitted yarn I made on this little gadget, the Embellish Knit I-Cord Maker. Works great!