Tag Archives: emilia

Wedge Weave Weaving

I’m using my Glimakra Emilia rigid heddle loom as a stand-in tapestry loom, and it works great. The loom is a super star when it comes to tension–that thick, sturdy wood and metal pawls and ratchets make it possible. If I learn how to warp it better, I can see using this for tapestry weaving quite often. As it is, I started out perfectly with a warp wound on a warping board, but transferring over became very difficult, so I ended up snipping the ends and tying it on. My plan had been to try for a non-fringe selvedge. Oh, well… that’s how it goes.

I had started another project using greens and browns on this warp, but when I discovered wedge weave, I unwove the other project and started this. I’m now sticking with all greens, probably inspired by the ongoing WAL in Ravelry’s tapestry group. The first two months were monochromatic, and I wove a tiny tapestry in blues, but I was never happy with it. So now… greens! These are mostly needlepoint wool found at an antique store:

Greens

The warp is a four-ply Churro, and it’s spaced at about 5 epi:

Greens

The string heddles I rigged up proved to be helpful only when weaving that footer. I don’t think anyone trying something similar needs to go to the trouble if using a widely-spaced warp like this one. The day wore on, and at 10 p.m. I found myself still weaving. Wedge weave is really fun–and fast as far as a weft-faced weaving goes. Now, I’m at a difficult spot in deciding what to do with the pattern. I’d like to make the center area stand out somehow, and the easiest answer is to use a different set of greens. The hardest answer is to inset some type of tapestry design, but I’m not certain how that will work out. Best idea is to try one, and if it works, stick with it.

Night Weaving

Finished: Noro Scarf

noroscarf3

noroscarf2

noroscarf1

 

You’d think I’d have about a dozen scarves after weaving for about 2.5 years, but I either give them away or decide they’re not quite right. There are two I wear regularly (in the cooler weather). Now, there are three, because I’m crazy about this Noro Taiyo sock yarn scarf. Yes, using the yarn as a warp was a big challenge, but I love the end results. I wove this on the Glimakra Emilia after it started snapping under the pressure of the Ashford table loom. I doubled each end in the 8 dent heddle, often threading the “wrong” end, and so the color scheme didn’t stay true to the color changes of the yarn. I didn’t care one bit, because I was more worried about being able to weave the entire thing without snapping threads than whether or not the goofy colors matched up properly. The weft was black crochet cotton (size 10). I also used a pickup stick pattern from Jane Patrick’s The Weaver’s Idea Book. It’s on page 85,  5/1 warp float.

The warp was sticky, tangled in numerous spots, and often plain old difficult to weave. I made mistakes, too. Surprisingly, in the end, I was so pleased with the lightweight, airy scarf, I didn’t wait for it to air dry after washing it. I placed it in front of a space heater, and 20 minutes later, the scarf was ready to go.

Noro Scarf

image from www.flickr.com

That warp that had the snapping problem (individual strands of Noro sock yarn are delicate!) was transferred in a big clump from the Ashford table loom to my trusty Glimakra Emilia rigid heddle loom. The only thing that didn't go wrong was that I was smart enough to tie a knot at the top so I knew just where to put a warp stick. That's all that I did right. 🙂 But leave it to good ol' Emilia to take a mess and make it work out (knock on wood). Even though the warp is still a mess with tangled threads, I simply wound it on very gently and threaded each slot and hole with two strands using the 8 dent heddle. If one strand breaks, I'm still good to go. I'm using a pattern stick to create some warp floats. I think it shows off the pretty Noro colors a bit more than plain weave.

The weft is black crochet cotton, very thin and strong. I decided to use one of my slim poke shuttles, and it's working out great. Because it's small and nothing catches on it, it's perfect for a sticky warp. So far, I really love how this is turning out.  But I would not recommend using Noro sock yarn as a warp unless you know what you're getting into.

Oh, Snap!

The Noro sock yarn warp that I wanted to use on my new Ashford Table Loom snapped while rolling it onto the warp beam. More than once. Maybe three, or four, or even five threads snapped! And because that happened after I cut the ends, I couldn't save it for a future weft, so I took it off the Ashford and rolled it onto the Glimakra Emilia, hoping I could use a light touch when it comes to weaving… One can only hope.

image from www.flickr.com

Warping Tricks

I've been thinking about built-in warping boards ever since I watched the commerical for a Clover loom (available in Japan only). The warping board is shown if you forward to the 1:40 mark. Here's a first try at adapting an expandable clothing rack to create a warping board on the Emilia. I think I could get twice as long of a wap if I zig-zag from side to side instead of go around in a circle. It looks strange, but it worked great.

image from www.flickr.com