Tag Archives: weave

Wedge Weave Resources

Wedge weave is a type of weaving style that gives a distinctive look as the “rows” are woven diagonally. According to what I’ve read, this style of weaving may have become less popular as buyers of rugs wanted a straight edge, and this gives a very unusual scalloped edge due to the way the weft pulls against the warp. There are many different ways to use this style, and some weavers drop in a little here and there while others weave this way for the entire project.

Here are some resources on wedge weave, also known as pulled warp:

Peter Collingwood has a very good overview of the technique in his Techniques of Rug Weaving book, available via PDF here. Scroll to page 164: https://www.cs.arizona.edu/patterns/weaving/books/cp_rug1_2.pdf

Profile of weaver Connie Lippart: http://studio24-7.blogspot.com/2014/04/connie-lippert-wedge-weave.html, and a terrific overview article by her: http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1034&context=tsaconf

Here are some image searches from Google (hopefully without the wedge shoes that keep showing up!): wedge weave images.

My little sample, about 4″ x 5″, worked out okay for a first try. I learned how to start and stop threads, add new colors, and carry a pattern. I also found out that the loose threads should be woven back in otherwise they’ll pop through to the front. I have some floats here and there, as I puzzled through how to reverse directions. I wove this on a Goodwood Pocket loom.

On the loom:

Wedge Weave Sample

And off the loom. I was pleased to see that even with my loose and sloppy weaving, the scalloped edges came through:

Wedge Weave Sample

Wedge Weave Weaving

I’m using my Glimakra Emilia rigid heddle loom as a stand-in tapestry loom, and it works great. The loom is a super star when it comes to tension–that thick, sturdy wood and metal pawls and ratchets make it possible. If I learn how to warp it better, I can see using this for tapestry weaving quite often. As it is, I started out perfectly with a warp wound on a warping board, but transferring over became very difficult, so I ended up snipping the ends and tying it on. My plan had been to try for a non-fringe selvedge. Oh, well… that’s how it goes.

I had started another project using greens and browns on this warp, but when I discovered wedge weave, I unwove the other project and started this. I’m now sticking with all greens, probably inspired by the ongoing WAL in Ravelry’s tapestry group. The first two months were monochromatic, and I wove a tiny tapestry in blues, but I was never happy with it. So now… greens! These are mostly needlepoint wool found at an antique store:

Greens

The warp is a four-ply Churro, and it’s spaced at about 5 epi:

Greens

The string heddles I rigged up proved to be helpful only when weaving that footer. I don’t think anyone trying something similar needs to go to the trouble if using a widely-spaced warp like this one. The day wore on, and at 10 p.m. I found myself still weaving. Wedge weave is really fun–and fast as far as a weft-faced weaving goes. Now, I’m at a difficult spot in deciding what to do with the pattern. I’d like to make the center area stand out somehow, and the easiest answer is to use a different set of greens. The hardest answer is to inset some type of tapestry design, but I’m not certain how that will work out. Best idea is to try one, and if it works, stick with it.

Night Weaving

Wonder Weave Loom

I found a great small loom at a thrift shop–the Wonder Weave! It came with instructions, two books of patterns (copyright 1964), a needle, and a finished square someone attempted, maybe 40 years ago. The Wonder Weave makes 4″ squares or 2″x4″ oblongs. I’ve had it two days, and I’m only three squares shy of making that hat I wrote about last time.

I was so happy with my $6 find that my husband helped me make a video tutorial:

 

Wonder Weave Loom