Watercolor is amazingly portable. I enjoy casein, but I don’t have a portable kit that folds up to the size of a phone like I do with watercolor. Casein dries out quickly like acrylic, and it spoils, too, so my choice for everyday painting is watercolor.
I’ve painted this doorway twice. On the left is a 3.5″x5″ painting, while in the center is a 9″x12″. Both have their pluses and minuses. The left is too dark, and some of the color became muddy, while the center has nicer color variation, detail, and value. However, I think the overhang is far better on the left than the center. It’s interesting that I failed to capture perspective with both. I loved painting with this method, however. It involves layering in primary colors to gain luminosity and depth.
On a whim, I bought a child’s Melissa & Doug watercolor kit. After trying the colors, I emptied it and replaced them with my six Daniel Smith Essentials kit, which consists of warm and cool blues, reds, and yellows. You can see how I put the pigments into the left, center, and right circles on both lines, and created a mix of two in between. The single circles on the bottom have all three warm on the left, which made brown, and all three cools on the right, which made black. I didn’t mix greens because I like to vary them so much–plus, I ran out of room. This was super fun. I hadn’t thought about pre-mixing my commonly mixed colors before, if that makes any sense.
Here’s my former Melissa & Doug kit with it’s new Daniel Smith pigments. Don’t they look awesome? I now have four palettes I use regularly.
Below are two attempts at painting barges on the Mississippi River. Both are from photos. My goal was to use the brush in a way that leaves sparkles on water.
Little landscapes from my mind and a few plein air attempts on the bottom.
Water, bridges, water sparkles… and grapes.